Categorizing the Thematic Concerns of the Indian English Short Story

Abstract

The short story is an immensely popular and influential literary genre that has captivated readers across cultures and generations. In the modern rush of life, it serves not only as a source of healthy entertainment but also as a powerful medium for capturing diverse human experiences within a limited span of time. The most widely accepted definition of a short story is that it is a narrative that can be completed in a single sitting, making it an accessible and engaging literary form. The proliferation of magazines and literary journals has significantly contributed to the growth and popularity of short stories, providing a platform for both emerging and established writers to showcase their craft. Despite its widespread appeal and literary significance, the short story has often been overlooked in terms of critical appreciation. Unlike the novel or poetry, it has not received the same level of scholarly analysis, particularly concerning its thematic and technical dimensions. While many short stories explore profound themes, their categorization remains largely neglected. Most anthologies present curated collections of short stories by various writers but rarely provide a clear rationale for their selection or thematic organization. This lack of systematic categorization limits a deeper understanding of the genre’s evolution and impact. In my paper, I aim to address this critical gap by examining some of the major thematic concerns that define the Indian English short story. By identifying recurring themes and patterns, I seek to provide a structured framework for understanding the diverse narratives that shape this literary form. This categorization not only highlights the richness of thematic explorations within Indian English short fiction but also underscores its role as a mirror reflecting societal, cultural, and existential realities.