Toni Morrison’s Beloved: An Illustration of the Protagonist’s Battle and the Interiority of Identity


DOI:
https://doi.org/10.53032/tcl.2025.10.1.16Keywords:
Memory, Slavery, Infanticide, Freedom, Trauma, Mother-daughter relationshipsAbstract
Toni Morrison’s Beloved explores the harrowing experiences of Sethe, a former slave who escaped bondage in Kentucky to find freedom in Cincinnati. Inspired by the true story of Margaret Garner, who tragically killed her child rather than see them return to slavery, Morrison’s novel vividly portrays the grim realities faced by enslaved African-Americans. Set against the backdrop of a legal system that denied mothers like Sethe ownership of their children, Beloved unfolds as a multi-generational saga of mothers and daughters grappling with the legacy of slavery’s trauma. Morrison’s narrative is a poignant exploration of the enduring consequences of slavery, capturing the anguish and resilience of its survivors. Through Sethe’s journey and the haunting presence of her deceased daughter, whom she names Beloved, the novel confronts the brutalities inflicted upon enslaved individuals with unflinching honesty. As an African-American woman writer, Morrison offers a perspective often marginalized in historical narratives dominated by white voices. She challenges and revises the prevailing accounts of Black slavery, revealing the systemic violence and dehumanization that underpinned it. In this paper, we aim to illuminate Morrison’s portrayal of the profound pain and struggles endured by survivors of slavery. By examining her portrayal of Sethe’s experiences and the broader implications for African-American identity and history, we seek to highlight Morrison’s contribution to reshaping our understanding of this dark chapter in American history. Through her evocative prose and narrative depth, Morrison not only commemorates the anonymous victims of slavery but also critiques the distortions perpetuated by dominant historical accounts.
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References
Morrison, Toni. Beloved. Picador, 1988.
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Linda Krumholz, “The Ghosts of Slavery Historical Recovery in Toni Morrison’s Beloved.” African-American Review, Vol. 25, No.3, pp.395-408,1992. DOI: https://doi.org/10.2307/3041912
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