Journey of Emancipation in R. K. Narayan’s Heroines

Main Article Content

Akansha Kayshap Mech

Abstract

R.K. Narayan conforms to his times and during the period he wrote, there was a radical change in the status of women. Moreover, he maintains an objective detachment from his themes and characters. However detached he is from his characters, it is possible to draw out a conception that the portrayal of women characters takes a definite shape through his novels. As we read his novels, we can trace a gradual transition of his women characters from silence to speech. His pre-independence novels like Swami and Friends, The English Teacher, Dark Room have women who are submissive and docile even though they nurture the desire for liberation. But, R. K. Narayan was a genius to picturise the ordinary middle-class milieu. Narayan takes a different attitude in portraying his post-independence heroines. The middle-class is considered the citadel of tradition but has shown its heroines courageously negotiating their way out from stereotyped notions about women and their roles. His women who are presented as votaries of emancipation educate themselves, long for economic independence and do not hesitate in leaving their parents or dumping their husbands and lovers in their search for individual identity and desired happiness.

Downloads

Download data is not yet available.

Metrics

Metrics Loading ...

Article Details

How to Cite
Akansha Kayshap Mech. “Journey of Emancipation in R. K. Narayan’s Heroines”. The Creative Launcher, vol. 6, no. 2, June 2021, pp. 47-53, doi:10.53032/TCL.2021.6.2.08.
Section
Articles

References

Acharya, A. Sex, Symbolism, Illusion and Reality in R.K. Narayan’s The Guide. Sage Publications, 2003.

Beauvoir, Simone de. The Second Sex. trans. and ed. H.M. Parshley, Vintage, 1997.

Bhatnagar, M.K. New Insights into the Novels of R.K. Narayan. Atlantic Publishers and Distributors (P) Ltd. 2008.

Foucault, Michael. Discipline and Punish. Vintage Books, 1979.

Mill, John Stuart. The Subjection of Women. Women’s Liberation and Literature, ed. Elaine Showalter. Harcourt Brace, 1971.

Millett, Kate. Sexual Politics. Abacus Sphere, 1972.

Narayan, R.K. Swami and Friends. Indian Thought Publications, 1994.

- - - . The Bachelor of Arts. Indian Thought Publications, 1965.

- - - . The Dark Room. Indian Thought Publications, 1992.

- - - . The English Teacher. Indian Thought Publications, 1955.

- - - . Mr. Sampath - The Printer of Malgudi. Madras: Indian Thought Publications, 1958. Print.

- - - . Waiting for Mahatma. Indian Thought Publications, 1964.

- - - . The Guide. Indian Thought Publications, 1958.

Sen, K. Critical Essays on R.K. Narayan’s The Guide with an introduction to Narayan’s novels. Orient Black Swan, 2004.

Thwaite, A. “The Painter of Signs”. In: Times Literary Supplement, Jan 20, 1976.

Trivedi, H. “R.K. Narayan at 100”, The Journal of Commonwealth Literature, 42:1, 2007. DOI: https://doi.org/10.1177/0021989407078573

Wollstonecraft, Mary. A Vindication of the Rights of Women. Everyman, 1982.

Woolf, Virginia. A Room of One’s Own. 1929. Triad Grafton, 1977.