Women in Colonial Space: A Study of Chinua Achebe’s Things Fall Apart and Ferdinand Oyono’s Houseboy
Main Article Content
Abstract
Chinua Achebe and Ferdinand Oyono in their novels, Things Fall Apart and Houseboy, present women in three phases: as people who are sadly oppressed by their male counterparts, people who contribute in their subjugation by accepting the norms placed on them, and as powerful women. Many critics have focused their analysis on the oppression of women without considering the role of women in their own subjugation. Though their assumptions may appear to be right, women in these novels possess a degree of power. This study submits that, women’s suppression comes as a result of indigenous patriarchy and colonial patriarchal custom. The study has as findings that women accept some of the positions given them and even help in their suppression. The ones who try to speak out are either not heard, that is, “speaking in the belly of a beast” or considered in other lights. This study uses the Postcolonial feminist theory for its analysis. The theory is suitable for this study because it presents the forms of marginalization and exclusion of women, and the misrepresentation of their roles. The study concludes that women are active, but their roles are underestimated by their counterparts, and they end up accepting the position given to them.
Downloads
Metrics
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
References
Achebe, Chinua. Things Fall Apart. Heineman, 1958. Print.
Bill Ashcroft et al. The Postcolonial Studies Reader. Routledge, 1995. Print
Bill Ashcroft et al. Post-Colonial Studies: The Key Concepts. Routledge, 2000. Print.
Crutrufelli, Maria Rosa. Women of African: Roots of Oppression. ZED Book LTD, 1984. Print.
De Beauvoir, Simone. The Second Sex. (Trans and ed) H. M Parshely, 1976. Print.
Ezeigbo, Theodora. In Emmanuel Kwofic and A.F Eruvbetine (eds). Lagos Notes and Record vol viii.
Head, Bessie. The Collector of Treasures. Heinemann Educational Publishers, 1977. Print.
Hurston, Zora Neale. "Color Struck. A Play in Four Scenes (1925)." Black Female Playwrights: An Anthology of Plays before 1950. Ed. Perkins, Kathy A. Bloomington, IN: Indiana University Press, 1989. 89-102. Print.
Johnson, Lynda and Robyn Longhurst.” Beyond Culture, space, Identity and Politics of
Difference”. Rutledge, 2001. 6-23. Print. DOI: https://doi.org/10.2307/3564047
Nwagbara, Uzoechi. “Changing the Canons: Achebe’s Women, Public Sphere and the Politics of Inclusion in Nigeria”. The Journal of Pan African Studies, vol 3, no 3. September 2009. Web Nov 2018.
Ogundupe-Leslie, Molara. “The Female Writer and Her Commitment” Women in Literature Today. 15. Ed Eldred Durosimi Jones. Curry, 1987. 5-13. Print.
Oyono, Ferdinand. Houseboy. Trans by John Reed, African Writer series. Edinburgh Gate: Heineman, 1966. Print.
Spivak, Gayatri C. “Can the subaltern speak?” In: C. Nelson & G. Lawrence, Marxism and Interpretation of Culture. University of Illinois, 1988. Print. DOI: https://doi.org/10.1007/978-1-349-19059-1_20