Exploring Folklore and Fantasy: Eudora Welty’s Interpretation of The Robber Bridegroom
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Abstract
Eudora Welty, a celebrated American novelist renowned for her deft literary touch, prominently positioned herself within literary tradition with her famous novella, The Robber Bridegroom, which was published in 1942. This work, uniquely situated within the cultural tapestry of Mississippi, integrates elements drawn from American mythology and historical figures of the American South, weaving them into the fascinating tale of the gentleman robber Jamie Lockhart. The present research paper embarks on an exploratory journey into the complex tapestry of The Robber Bridegroom, offering a multifaceted analysis that bridges the gap between folklore, fantasy, and reality. It investigates the peculiar confluence of wisdom, seriousness, mysterious wilderness, amusement, and disenchantment—ingredients often found in traditional fairy tales. This synthesis resonates with the timeless quality of myth and resonates with a contemporary audience. Central to this exploration is an analysis of Welty’s intricate character portrayals and her deft use of irony and humor. These literary devices, alongside her nuanced evocation of the setting, serve to underscore a profound reflection on the transient nature of human connections. Moreover, this paper delves into Welty’s portrayal of the Western civilization’s impact on the indigenous Natchez tribe, a theme that lends the story historical depth and sociocultural relevance. In examining the dualities that permeate the narrative, such as enlightenment and ignorance, civilization and wilderness, the study highlights Welty’s ability to transcend simple dichotomies, presenting a fairy tale-like narrative that also fosters critical inquiry into the development of writing skills and artistic expression. Furthermore, the paper provides insights into how Welty’s narrative functions as a metaphorical bridge, connecting historical realities with a broader human experience, thus reinvigorating classical motifs with modern sensibilities. The present research article reveals a rich and multifarious literary landscape that bears witness to Welty’s masterful command of her craft. The research contributes to a deeper understanding of her work, and by extension, the intricate web of cultural, historical, and personal relationships that define our collective human experience.
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References
Marianne Hauser, “Miss Welty’s Fairy Tale.” The New York Times Book Review, 1 November 1942,
John People Bishop, “The Violent County.” The New Republic, 16 November 1942,
Francis Lee Litter introduction to once upon a Time: On the Nature of Fairy Tales, Max Luthi, tr. by Lee Chadeayne and Paul Gottwald, Fredrick Unger Publishing Co. ,1970)
Eudora Welty, “Place in Fiction.” The South Atlantic Quarterly, 55(January 1956), 62. DOI: https://doi.org/10.1215/00382876-55-1-57
Doubleday, Doran, The Robber Bridegroom, New York, 1942