The Design of Benevolence in The Tempest
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https://doi.org/10.53032/tcl.2019.4.1.04Keywords:
Sin, Suffering, Redemption, Benevolence, Magician, Alonso, ArielAbstract
The Tempest is one of several plays written by Shakespeare for which no source has been found. Here, we find a unique pattern of sin, suffering, repentance and redemption. The characters are redeemed after they repent for the sins they have committed. Prospero keeping aside all his political wisdom trusts his own brother in the matter of states, who dethrones him from the dukedom. He suffers for his sin, repents and finally redeemed and overcomes his enemies. Ariel and Caliban are the two helping hands of Prospero in the benevolent design. The sea also proves to be an agent of redemption. The play’s ending highlights the restoration of a benevolent world.
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References
Robert L. Reid. “Sacerdotal Vestiges in the Tempest” Comparative Drama.41.4 (2007): 493 DOI: https://doi.org/10.1353/cdr.2008.0005
Kenneth Muir. Last Periods of Shakespeare, Racine Ibsen. Detroit : Wayne State University Press, 1961. p. 51
E.M.W.Tillyard. Shakespeare’s Last Plays.London:Chatto&Windus.1938. p.1.
Frank Kermode. “Introduction”. The Tempest by Shakespeare. Britain: Methuen & Co, 1963. p. xxiv-xxv
Ibid, p. Xlvii-viii
Francis Neilson. Shakespeare and the Tempest. Rindge: NH. Publication,1956.p.86
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Knight, op.cit.,p. 207
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Knight,op.cit.,p.231.
Robert Grams Hunter. Shakespeare and the Comedy of Forgiveness. New York: Columbia University Press, 1965. p. 232
Griffiths,p.573
Ibid.
Frye, Northrop. Introduction to The Tempest. New York: Penguin Books, 1959.
Frank Kermode, ed. The Tempest. London: Methuen &Co p.85.
Griffiths,p.573,579.
Robert Grams Hunter. Shakespeare and the Comedy of Forgiveness. New York: Columbia University Press, 1965. p. 232
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Frank Kermode. Shakespeare's Romances Harold Bloom, ed. Chelsea House, 2000. p.245
Knight, op.cit. p.222
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