Tagore’s Drama Synthesis of Myths, Legends and Folklores: A Medium of Social Reformation


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Authors

  • Dr. Rashmi Jain Guest Faculty, Department of English & MEL, University of Allahabad, Allahabad, India

Keywords:

Myth, Contemporary, Protest, Reformation

Abstract

Rabindranath Tagore symbolizes the true spirit of Indian thought. He being a philosopher, novelist, poet, painter, dramatist as well as an educator exhibited the problems of society through his dramatic plays and acted as a social reformer. India is well known for its legends, myths, folklores and Tagore brilliantly portrays the same through his drama. Myth is “one story in a mythology-a system of hereditary stories of ancient origin which were once believed to be true by a particular cultural group, which served to explain why the world is as it is and things happen as they do, to provide a rationale for social customs and observances and to establish the sanctions for rules by which people conduct their lives. If the protagonist is a human being rather than a supernatural being, the traditional story is called legend.” (Abrams 170) whereas folklore “is a collective name applied to verbal compositions, social rituals and sayings handed down mostly by word of mouth” (Abrams 100).

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References

Abrams, M. H. A Glossary of Literary Terms. 7th ed. New Delhi: Thomson Business International India Pvt Ltd., 2006. Print.

Barua, Sudhansu Bimal. “Rabindranath Tagore and Buddhist Culture”. Bodhi Leaf 10 10.10 (1961): 2-7. Web.< http://www.bps.lk/olib/bl/bl010.pdf>

Beauvoir, Simone de. The Second Sex. Trans. and Ed. H.M.Parshley. London: Vintage Books, 1997. Print.

Chakraverty, Bishweshwar. “Tagore the Dramatist: A Critical Study” Musical, Verse and Poetic Drama. (Vol. I) Delhi: B.R. Publishing Corporation, 2000. Print.

Paul, S. K. The Complete Poems of Rabindranath Tagore’s Gitanjali: Texts and Critical Evaluation. New Delhi: Sarup & Sons, 2006.162-163.Print.

Tagore, Rabindranath. Three Plays: Mukta Dhara, Natir Puja & Chandalika. Trans. Marjorie Sykes. New Delhi: OUP, 2005. Print.

---. “Ama and Vinayaka”. The Fugitive. 1921.Google Book Search. Web. 20 Aug 2015.

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Published

2017-10-31

How to Cite

Dr. Rashmi Jain. “Tagore’s Drama Synthesis of Myths, Legends and Folklores: A Medium of Social Reformation”. The Creative Launcher, vol. 2, no. 4, Oct. 2017, pp. 89-99, https://www.thecreativelauncher.com/index.php/tcl/article/view/599.

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Research Articles

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