Abhijnanshakuntalam in the Light of Karuna Rasa
Article Sidebar
Main Article Content
Abstract
The theory of Rasa has been mentioned in the sixth chapter of ancient Sanskrit text in Natyashastra. There are eight kinds of Rasas and these are produced with the combination of Vibhava, Anubhava and Vyabhicharibhava. It is a combination of word and its sense which blesses the reader with an emotional effect. It classifies the dramatic content on the basis of emotions. These emotions are a sophisticated concept of the response to the art. In production of a play, Rasa is created by the actor, is enjoyed by the spectator. This theory is mostly applicable to dance-drama. Kalidasa was a great poet of Sanskrilt language in India. His works mainly based on Mahabharata and Puranas. Abhinjnanshakuntalam, a play by Mahakavi Kalidasa, tells the story of king Dusyanta who meets Shakuntala while on a hunting trip.
Downloads
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
References
Ghosh, Manmohan, trans. The Natyashastra. Calcutta: Asiatic Society of Bengal, 1951. Print.
Sukla, Babulal. Natyasastra of Bharatmuni. vol. i. Varanasi: Chaukhamba Sanskrit Sansthan, 2010. iv vols. Print.
Valmiki. Srimad Ramayana . Gorakhpur: Gita Press, 2010. Print.
A., Sankaran. Some Aspects of Literature Criticism in Sanskrit or The themes of Rasa and Dhvani. 2nd ed. New Delhi: Oriental Booksellers and Publishers, 1973. Print
Deshpande, G.T. Indian Poetics. New Delhi: Popular Prakashan, 2009. Print.
Rajan, Chandra, trans. The Complete Works of Kalidasa. New Delhi: Sahitya Akademi, 2010. Print.
Sharma, Mukunda Madhava. The dhvani Theory in Sanskrit Poetics. 1st ed. Varanasi: The Chowkhamba Sanskrit Series Office, 1968. Print.